Documentary of the making of Cast Away

ASIN: B00005UW7X

Buy Now

This documentary is based on a royal who bought an island in the Carribean and eventually becomes an outcast for being VERY DIFFICULT to the board members that now run the very profitable island. All I can say is that you can’t take your eyes and ears off of it. It’s like watching a man desend into a bit of madness.

Tom Hanks, Moturiki Island, Fiji

ASIN: B00009V7ON

Buy Now

After FedEx systems engineer Chuck Noland is ripped out of his hasty life by the clock in a plane crash, he finds himself alone on the shores of a tropical island. First, frustration gets to him and then he realizes how little his chances are to ever get back to civilisation. Four years later, Chuck has learned very well how to survive on his own: mending his dental health, catching fish with a spear, predicting the weather with a selfmade calendar. A photograph of his girlfriend Kelly has kept his hopes alive all these years. Finally, Chuck takes the opportunity to take off for home: He sets off on a wooden raft with a sail that has washed ashore.

Hanks stars as Chuck Noland, a FedEx systems engineer whose personal and professional life are ruled by the clock. His fast-paced career takes him, often at a moment’s notice, to far-flung locales - and away from his girlfriend Kelly, played by Helen Hunt. Chuck’s manic existence abruptly ends when, after a plane crash, he becomes isolated on a remote island - cast away into the most desolate environment imaginable. Stripped of the conveniences of everyday life, he first must meet the basic needs of survival, including water, food and shelter. Chuck, the consummate problem solver, eventually figures out how to sustain himself physically. But then what? Chuck begins his true personal journey. After four years, fate gives Chuck a chance to fight his way back to civilization, only to find an unexpected emotional challenge greater than all the earlier physical ones. His ability to persevere and to hope are a product of his life-changing experience.

It’s fascinating to witness Chuck’s emerging survival skills, and Hanks’s remarkable physical transformation is matched by his finely tuned performance. With slow, rhythmic camera moves and brilliant use of sound, Zemeckis wisely avoids the postcard prettiness of The Black Stallion and The Blue Lagoon to emphasize the harshness of Chuck’s ascetic solitude, and this stylistic restraint allows Cast Away to resonate more than one might expect. Even the final scene–which feels like a crowd-pleasing compromise–offers hope without shoving it down our throats. You may not feel the emotional rush that you’re meant to feel, but Cast Away remains a respectable effort.

Buy Now

Leonardo DiCaprio, Tilda Swinton, Dir. Danny Boyle

Buy Now

Leonardo di caprio, Garland’s novel centers on a young nicotine-addicted traveler named Richard, an avid pop-culture buff with a particular love for video games and Vietnam War movies. While at a hotel in Bangkok, he finds a map left by his strange, whacked-out neighbor, who just committed suicide. The map supposedly leads to a legendary island paradise where some other wayward souls have settled.

Leonardo DiCaprio sought to distance himself from the purity of his character in Titanic, and his role in The Beach is in many ways a polar opposite. As Richard, a young American seeking to “suck in the experience” of freestyle travel in Thailand, he’s a chronic liar, a pot-smoking hedonist, an amoral lover, and ultimately an unstable snake in a doomed Garden of Eden. This crazy descent might be expected from the filmmakers of Trainspotting, but The Beach is a movie without a rudder, venturing into fascinating territory, promising a stimulating adventure, and then careening out of control.

After receiving a not-so-secret map to a secluded island from a stoned-out loony (Robert Carlyle, full of dark portent and spittle), Richard sets out to find the hidden paradise with a young French couple (Virginie Ledoyen, Guillaume Canet). What they find is a tropical commune existing in delicate balance with Thai pot farmers, and before long–as always–there’s trouble in paradise. There’s trouble in the movie, too, as DiCaprio is reduced to histrionics when the plot turns into a muddled mix of Lord of the Flies and Apocalypse Now, with shark attacks tossed in for shallow tension. Director Danny Boyle attempts perfunctory romance and a few audacious moves (notably DiCaprio’s vision of life as a violent video game), but what’s the point? Tilda Swinton registers strongly as the commune’s charismatic leader, but her character–and the entire film–remains largely undeveloped, and pretty scenery is no guarantee of a laudable film.